The Suzuki Method

The Suzuki Method


Ten Key Elements of the Suzuki Method


  1. Begin Early
    Children begin learning from their environment from birth. Suzuki has found that children can often learn by musical instruction very well at about the age of three, and in some cases even earlier. Teaching and research in the U.S. has substantiated this belief.


  2. Learn by Memory
    Suzuki calls his approach the Mother Tongue method. All learning in the early years is without printed music. Children learn by small steps, hence memory is developed in a gradual manner until it becomes a high skill. Small children have an almost uncanny ability to work in this manner, the natural manner of language learning.


  3. Creative Repetition
    The analogy to language learning is obvious, since the small child is encouraged to say the same words over and over again until they are mastered and easily used. Suzuki limits the amount of material on any given level and encourages much repetition.


  4. Active Repertory of all Pieces Learned
    In one's native tongue, one never gets to the point where a word is learned only to be forgotten. The Suzuki student constantly reviews the repertoire he has learned, and then effectively reinforces his memory, his technical skill, and his musical expression.


  5. Listening to Recordings
    As the mother speaks often to her child, so the violin student hears recordings of the pieces he is to learn and gains expectation of fine violin, cello or piano tone. This is his environment at home which determines so much of his learning.


  6. Involvement with the parent
    Mothers (or Fathers) attend every lesson with their child; encourage him and help him practice at home each day. The parent becomes the child's assistant responsible for playing the recordings, encouraging the child, teaching the notes (by rote) and skills, and practicing with the child.


  7. Encouragement
    The mother of a small child doesn't scold her infant for mispronouncing the words he is learning, but encourages him to say it again, and again. Likewise, the Suzuki parent must always encourage the child. The lessons should be a happy experience, and the parent and teacher become involved in the marvel of the unfolding process of learning.


  8. Step-by-Step Mastery
    Each skill is broken down into small segments easily mastered by the student. It is imperative that these segments (and, later, pieces) be thoroughly mastered before attempting the next step, so as to engineer a built in success for each step in the learning process. This takes skill on the part of the teacher to assess the potential and limitations of learning at a given point in order to effectively challenge the learner.


  9. Reading after Physical Control
    This approach is also analogous to native language learning. A child speaks before he learns to read. By no means, however, should memory learning be dropped when one starts to read notes!


  10. Every Child Can Learn
    Eliminate the talent test, and believe that they can learn to play the violin or any other instrument.

 

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